SUPERMAN


The Bronze Age

After the establishment of DC Comics' Multiverse in the 1960s, it is established retroactively that the Golden Age version of Superman lives on the parallel world of Earth-Two and is named Kal-L, while his Silver Age counterpart lives on Earth-One and is named Kal-El. On Earth-One, the Galaxy Broadcasting Station and its president, Morgan Edge, purchase The Daily Planet, Edge subsequently naming Clark Kent as the lead anchorman for its Metropolis television station, WGBS-TV. Later in the 1970s, childhood friend Lana Lang joins Clark in his newscasts as co-anchor.
A series of stories in the 1970s establish that the Earth-Two Superman had married his version of Lois Lane in the 1950s (Action Comics #484, (1978)) and had become the editor-in-chief of the The Daily Star. In the early 1970s, Kal-L discovers a Kryptonian rocket that contains his cousin Kara Zor-L. After acclimating to Earth, Kara becomes the superheroine Power Girl. Kal-L also continues to serve with the revived Justice Society; he is revealed as a founding member of the group in the team's origin story in DC Special #29. In the early 1980s, Kal-L is also shown as a member of the All-Star Squadron during World War II. Despite a changing market, Superman's stories remained similar to those which defined the Silver Age for quite a while. However, by the seventies, it became apperant that even the Man of Steel needed some polishing.

Superman entered the Bronze Age in 1970 under famed artist Jack Kirby. Kirby chose to revamp the spin-off Superman's Pal, Jimmy Olsen, using it as a platform for his Fourth-World concept. Among the creations first appearing therein was Darkseid, an alien warlord powerful enough to pose a great threat to Superman himself.

In the same year, editor Mort Weisinger left and was replaced by Julius Schwartz, while up-and-coming talents such as Neal Adams, Denny O'Neil, Elliot S! Maggin and Ross Andru added new dimensions to the character in both writing and artwork, it was the evolution of veteran Superman artist Curt Swan which provided a transition from the fantasies of yesteryear to the more modern illustration style.

Also Superman's Earth-2 counterpart married the Lois Lane of his world, and new rivals such as Terra-Man and Parasite appeared. In 1978 Superman: The Movie was released. The film featured groundbreaking special effects under the direction of Richard Donner, and stars such as Marlon Brando and Gene Hackman, but it was the performance of newcomer Christopher Reeve that made the film come alive in the eyes of many critics.

With his stunning good looks and tall stature at 6 ft 4 in, Reeve is said to have drawn eyes when walking into auditions. This paid off when he beat out thousands of others for the role of Superman in the 1978 film directed by Richard Donner. This film was an enormous success and inspired three sequels. Coincidentally, Christopher Reeve's good friend Robin Williams also became a star that same year with the television show Mork & Mindy. Contrary to myth, Christopher Reeve is not related to George Reeves, who played Superman on television in the 1950s. George Reeves' real name was, in fact, George Brewer, and the similarity in their names is only coincidental.

Although he was certainly tall enough for the role, Reeve's build was decidedly unmuscular, and he began a training regimen under former British weightlifting champion Dave Prowse, who, a short time later, would gain fame as the man who would give physical form to Darth Vader in George Lucas' immensely popular Star Wars films.

Superman was the kind of part Reeve usually disdained. He once said, "I want to challenge myself in my roles, not run around on screen with a machine gun." However, Reeve did find that he could play the character with depth and challenge himself with the role. He said that there had to be something more to the Clark Kent character, otherwise you just had a "pair of glasses standing in for a character." He successfully split the Superman and Clark Kent roles into two completely different characters. Christopher Reeve essentially redefined Superman — no small feat, considering what a global icon the character was and still is. To this day, Reeve's portrayal of Superman is still considered the definitive on screen interpretation by many fans.
In 1995, Reeve was rendered a quadriplegic during an equestrian competition and was confined to a wheelchair for the remainder of his life. Christopher Reeve became a spokesman for disabled people and a vocal supporter of stem cell research. He also appeared in television movies after his accident. In 1998, he appeared in a remake for TV of the famous film Rear Window and on February 25, 2003, he appeared in the television series Smallville as Dr. Swann, who provides young Clark Kent with insightful clues as to his origins. On October 25, 2004, two weeks after Reeve's death, A&E aired Reeve's second directorial project, The Brooke Ellison Story. The film, starring Lacey Chabert and based on a true story, is about an 11-year old girl who becomes a quadriplegic in a car accident and goes on to be the first quadriplegic to graduate from Harvard University. Christopher Reeve died on October 10, 2004 after suffering cardiac arrest. By the time of his death, Reeve had regained partial movement in his fingers and toes as well as feeling throughout his body, claiming he could feel pin pricks anywhere and could again differentiate between hot and cold temperatures. Even before his death, Reeve's efforts to spread awareness for spinal cord injuries had won him the cultural status of a real life hero, not unlike his cinematic counterpart, Superman. Reeve humbly insisted that there was nothing truly heroic about him or what had happened to him, but that he was merely another human being dealing with an obstacle that life had placed in his path. Nevertheless, fans and admirers have taken to calling him "the real Man of Steel" and "the real Superman." He is survived by his parents, Barbara Lamb and Franklin Reeve, and his three children, Matthew (born 1979), Alexandra (born 1982) and Will (born 1992). His wife, Dana Reeve died of lung cancer on March 6, 2006. She was a non-smoker. After Christopher Reeve died, a number of political cartoons drawn to commemorate him were Superman themed, with many depicting Reeve flying away from his wheelchair in his Superman costume. One cartoon showed a boy in a wheelchair talking about how Reeve had incredible vision, that he used his power to help others, that nothing could stop him, and, on a final note, added that before that Reeve starred in the Superman films. Another picture showed Batman, Spider-Man and Captain America arriving at Reeve's grave, with Batman commenting "He really was a super man..." In another picture, a sad Superman is shown arriving at Reeve's grave with flowers, while in another a grief stricken Superman looks to the reader with a newspaper in his hand, having just read the news of Reeve's death, tearfully saying "He was my hero..." Two more depicted Reeve arriving in heaven dressed as Superman, one of which had him telling Gabriel to keep the wings. In another, Reeve was shown as a regular angel, still declining the wings, saying "No thanks. I'd rather walk."

Superman - The Movie film engendered a series of sequels throughout the eighties. Meanwhile, the comics continued to sell, yet DC Comics decided that Superman and all of their properties needed a vast overhaul.

During the 1985 limited series Crisis on Infinite Earths, the various parallel Earths are combined into one, retroactively eliminating some of Earth-Two's heroes from existence. DC Comics retired the Silver Age version of Superman in 1986, after the publication of Crisis on Infinite Earths. Just before the character's revamp, the Silver Age Superman was given a sendoff in the two-part story "Whatever Happened to the Man of Tomorrow?", written by Alan Moore with art by Curt Swan.




Modern Age version

In 1986, after the Crisis on Infinite Earths limited series, DC Comics hired writer/artist John Byrne to re-create the Superman character, reshaping the previous 48 years of stories by putting new twists on the established mythos. In Byrne's re-introductory miniseries The Man of Steel, Superman, like all post-Crisis Kryptonians, is conceived through in-vitro fertilization on Krypton. While still a fetus, he escapes Krypton's destruction in a spacecraft (his "birthing matrix" with a rocket engine attached), and lands more than 50 years later on Earth, just outside of Smallville, Kansas. Superman is effectively born on Earth and is as much a son of Earth as of Krypton. As in the original version, the Kents find and adopt him and raise him like a normal human. In Byrne's retelling, Clark's powers develop gradually, beginning with his invulnerability, and he doesn't fly until he is a teenager. After leaving Smallville, he travels the world before settling in Metropolis, completing his education, and going to work at The Daily Planet. Although he spends years helping people and averting disasters in secret during his travels, Clark does not become Superman until just before starting work at The Daily Planet, when he prevents an experimental spacecraft from crashing in Metropolis. The Kents remain alive.

The post-Crisis comics present Clark Kent as the "real" person, with Superman as the secret identity that he uses to prevent his enemies from harming his family and friends. People do not suspect that Superman is hiding his real identity because he wears no mask. The concept that Clark is the real man, as well as the greater emphasis on his Earthly upbringing, is a deliberate reversal of the pre-Crisis version. Another significant aspect of Superman's reinvention is a reduced level of abilities, with powers such as time travel removed completely and other powers — notably his invulnerability and super-strength — vastly reduced. The series also introduces the idea that Superman's invulnerability stems from his body's creating an "energy field" when exposed to solar radiation from the Earth's yellow sun.



Man of Steel #3 depicts the first meeting between Superman and Batman. Superman attempts to take Batman into custody but realizes that Batman operates outside the law. Other post-Crisis comics show that the relationship between the two is a trusting one, despite the unease each feels due to the differences in their methods: Superman relies on trust and strength to achieve his goals in cooperation with the law, while Batman relies on intellect and fear and operates outside the law.

Man of Steel also reduces the emphasis on Superman's Kryptonian heritage. Previous comic books depicted a Superman not only aware of his heritage, but also versed in its language, culture, and other elements. In Man of Steel #6, Superman first learns of his Kryptonian heritage as an adult when his birthing matrix generates a memory implant. While such Kryptonian technology is able to help bolster his knowledge, the revamped Superman is no longer a completely Kryptonian-educated man.


SUPERMAN


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