From their many adventures Jay & Silent Bob have acquired quite a bit of knowledge and wisdom about life. Some, in what can only be described as a delusionary state of mind, have even referred to them as prophets. Has this "wisdom" given them the ability to predict the future or are they just making it up? Who knows? All we know is that if you ask, Jay is willing to give you an answer. In fact we can't shut him up. Bob on the other hand, he's the quiet type. What Does the Future Hold For You? Ask Jay & Silent Bob Your Question:

This is a Not for Profit Jay & Silent Bob Fan Site Official Jay and Silent Bob Stuff and Videos are Available at The Jump Station Depatment Store Writer and director Kevin Smith embraces his warm and fuzzy side with this comedy drama about a man who learns a lot about life and love in the wake of a personal tragedy. Ollie Trinke (Ben Affleck) is a guy who seemingly has it made -- he has a great job as a music publicist with a major Manhattan public relations firm, and he's madly in love with his wife, Gertrude (Jennifer Lopez). Ollie is very much excited about the fact he and Gertrude are soon to become parents, but Ollie's joy turns to despair when Gertrude dies in childbirth. Emotionally shattered, Ollie isn't sure what to do next, and he and his newborn daughter, Gertie, soon move to New Jersey to live with his father, Bart (George Carlin), who grows tired of playing babysitter after several months. Juggling his career with single parenthood proves to be more than Ollie can manage, and one day he's fired after he bungles a major press event. Unable to find work, Ollie eventually takes a dead-end job in New Jersey's public works department, and devotes himself to his daughter as he retreats from his own life. But after frequent visits to the local video store, he strikes up a friendship with Maya (Liv Tyler), a pretty girl who works behind the counter. As Ollie finally begins to come out of his shell, he's offered a chance to move back into the music industry, but he realizes that would mean moving back to Manhattan -- and Gertie (Raquel Castro), now seven years old, makes it clear she doesn't want to go. Jersey Girl also features cameo performances from Kevin Smith regulars Jason Lee and Matt Damon, and significantly is Smith's first feature not to include Jason Mewes and Smith himself as stoner archetypes Jay and Silent Bob.

The frequently recurring title characters, employed by writer and director Kevin Smith as supporting players in several of his films, are put to rest with this comedy that focuses on them exclusively. Jay (Jason Mews) and Silent Bob (Smith) are a pair of stoned New Jersey slackers who have long been used as the templates for a pair of popular comic book heroes, Bluntman and Chronic. When they learn that their alter egos are to be turned into a major motion picture without their consent or compensation, the pair sets off for Hollywood to sabotage the production. Along the way, they encounter an ape, a nun (Carrie Fisher), the cast of Scooby-Doo, a Charlie's Angels-style band of sexy women who use them as stool pigeons in a diamond heist, and an unhinged wildlife ranger (Will Ferrell). They also meet up with some regulars from the Smith canon, including Alyssa Jones (Joey Lauren Adams), Brian O'Halloran as Dante Hicks, Jason Lee as Banky Edwards, Alanis Morissette as God, and actors Ben Affleck and Matt Damon in dual roles as themselves and two other familiar characters. Jay and Silent Bob Strike Back co-stars numerous other recognizable performers in roles of various sizes, including Shannen Doherty, Jason Biggs, James Van Der Beek, Shannon Elizabeth, Tracy Morgan, Judd Nelson, Chris Rock, and George Carlin, among others.

Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featuring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director.

Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie.

Sophomore jinx hit hard in this second film by Kevin Smith, whose debut Clerks transcended the limits of its setting and budget to become something memorably funny. (Smith followed Mallrats with the wonderful Chasing Amy, so Mallrats definitely had the old curse.) A ramshackle comedy set in a mall, the film follows several story lines involving lovers, enemies, friends, goofballs, and Smith's own "silent" character, who also appeared in Clerks and Chasing Amy. A heavy self-consciousness weighs on everything, as if Smith forgot how to make obscenity funny instead of tedious. Still, it's nice to see some of the director's film family on screen, among them Jason Lee and Joey Lauren Adams.

Before Kevin Smith became a Hollywood darling with Chasing Amy, a film he wrote and directed, he made this $27,000 comedy about real-life experiences working for chump change at a New Jersey convenience store. A rude, foul-mouthed collection of anecdotes about the responsibilities that go with being on the wrong side of the till, the film is also a relationship story that takes some hilarious turns once the lovers start revealing their sexual histories to one another. In the best tradition of first-time, ultra-low budget independent films, Smith uses Clerks as an audition piece, demonstrating that he not only can handle two-character comedy but also has an eye for action--as proven in a smoothly handled rooftop hockey scene. Smith himself appears as a silent figure who hangs out on the fringes of the store's property.